BrokeIt - Startup Drama · All episodes: ↗

Kalanick Robotaxis, AI Lawsuit, App Store Exit

2026-09-07 · 6 min

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Transcript

Intro

Nora: The guy who ran the App Store just quit... because Apple isn't greedy enough. Let that sink in.

Dex: I'm Dex.

Nora: And I'm Nora.

Dex: This is Down Round. It's Monday, September 7th.

Nora: Today on the show: we're tracking that thin line between ambition and sheer absurdity.

Dex: First, there's major drama in Cupertino, where a top exec just walked over the future of the App Store.

Nora: Then, authors who won a big AI settlement are now fighting their own publishers for the cash.

Dex: And just when you thought it was safe to cross the street… Travis Kalanick might be getting into robotaxis.

Phil Schiller’s App Store exit reportedly driven by wariness over future plans

Dex: Alright, let's start with that bombshell out of Apple.

Nora: So Phil Schiller—an Apple Fellow, one of the last of the old guard—is out. He's no longer running the App Store.

Dex: And the story is he clashed with the new CEO, John Ternus. But the reason they clashed is... just wild.

Nora: Go on. You said it in the intro and I still don't believe it. He quit because the App Store wasn't making enough money?

Dex: Not just money—not enough recurring revenue. Ternus apparently wants to squeeze even more subscription fees out of the ecosystem.

Nora: You have to be kidding me. The App Store, which developers already call a protection racket, needs to be more extractive?

Dex: Well, Ternus is an ops guy. He sees the whole world moving to subscriptions, and he wants Apple's cut of everything. Forever.

Nora: And Schiller, who helped build this thing into a multi-hundred-billion-dollar business, thought that was a bridge too far. I never thought I'd say this, but… good for Phil Schiller?

Dex: Right? When a top Apple exec starts siding with the developers, you know you've gone too far.

Nora: So what does this mean for anyone building an app? Your 30% tax is about to go up, or just get more… creative?

Dex: That’s the writing on the wall. Expect more pressure, more rules, and a bigger push to lock you into their 'services' revenue line. Schiller walking away means a fundamental shift is coming.

Nora: A tectonic shift, powered by pure greed. Unbelievable.

Authors push back as publishers and agents make claims on Anthropic settlement

Nora: Alright, let's move from one money fight to another. This time, it’s authors versus... well, pretty much everyone.

Dex: Right, so a group of authors are getting settlement checks from Anthropic, because the AI company trained its models on their books without permission.

Nora: A win for the little guy! Except... not so fast.

Dex: Exactly. Because now the publishers—and even the literary agents—are showing up demanding their cut.

Nora: Of course they are. Let me guess: they're citing some vague clause in the contract about 'ancillary' or 'electronic' rights?

Dex: That's exactly the argument. But the Authors Guild is pushing back, hard. They say this isn't some licensing fee—it's payment for damages from copyright infringement.

Nora: Meaning the harm was done to the author, who owns the copyright. Not the publisher, who's basically a distribution partner.

Dex: It's a huge distinction, and it could set a massive precedent. If publishers win this, they could get a cut of all future AI training settlements.

Nora: This is what always happens. The creator takes the risk, and the second there's a payout, a dozen middlemen show up with their hands out, waving a hundred-page contract nobody understood.

Dex: So the takeaway for any creator is read your contracts. And maybe get your own 'AI training' clause in there before you sign anything new.

Nora: Yeah. Don't let your big win against the robots turn into a payday for your agent.

Travis Kalanick’s Atoms might be getting into the robotaxi business

Dex: Alright, our last story… Nora, are you ready for this? He's back.

Nora: Don't say it. Don't you dare say his name.

Dex: Travis Kalanick. His new mystery startup, Atoms, is reportedly sniffing around the robotaxi business.

Nora: Of course he is. Because the first time he tried to tackle self-driving it went so well.

Dex: He's been saying Atoms is about 'unfinished business,' and this has to be it. The end-game for Uber was always getting rid of the driver.

Nora: Unfinished business? You mean burning through billions of dollars, fighting every city on the planet, and… other stuff we can't mention on the air? That unfinished business?

Dex: Okay, yes, all of that. But from a pure, cold-blooded founder perspective... you have to admire the audacity. Getting knocked out of the ring, then deciding to build a new stadium next door to fight again?

Nora: I don't call it audacity, I call it ego. He couldn't win at Uber, so he's taking a new pile of someone else's money to try again.

Dex: Well, that pile of cash is reportedly huge. And the word is he's not building cars, just the software—the 'brains' of the operation.

Nora: A brain I would not want driving me anywhere. So what does this mean for the rest of us? More AV hype? Another decade of 'it's just two years away'?

Dex: It means the robotaxi wars just got a new, very aggressive, and very well-funded player. Buckle up.

Nora: So, an Apple exec gets a conscience because the company isn't being greedy enough.

Dex: Authors who won a settlement against an AI company now have to fight their own team for the money.

Nora: And Travis Kalanick is back with his 'unfinished business,' which is probably a future headache for all of us.

Dex: And before we go, a quick note: it's Labor Day here in the U.S.

Nora: A day for workers. Feels… ironic, after that story about authors fighting for their own settlement money.

Dex: It is a little ironic. So maybe today, actually stay off your work Slack. Unless you're a founder, in which case, we know you're not listening to this anyway.

Nora: That's our show. We're back tomorrow with more.

Dex: See you then. And try not to have any 'unfinished business' that lands you in the news.

This show is made with AI: the hosts’ voices are synthetic and the scripts are AI-assisted. Every story links to its original source.